curated by Rony Alfandary.
The winter edition of the poetry section of C.20 hosts some new voices as well as revisits from familiar ones. The variety of the poems touches upon inner and outer tensions, reflecting themes of memory, love and the passage of time. Moria Daum Kaplan, Yorai Sela and Gitit Milo from Israel join David Green from the other side of the globe in Australia in sharing their distinct voices which nevertheless echo one another. These are voices of winter, sending notes of hope and sorrow, love and distance, life and death, all in the hope that they will resonate with another attentive human being during these harsh and threatening times, when Covid-19 is wreaking havoc upon normal communications and modes of being.
Please send us your responses and poems to be included in the next issue of C.20
Rony Alfandary
Poetry Editor
December 2020
MORIA DAUM KAPLAN
Translated from Hebrew by Dana G. Peleg
Minute Motions of the Ground
Born on the verge of the Rift,
Everywhere,
My feet are still planted
On the Golan’s volcanic soil.
Enormous plates move inside me
Underneath the ground,
Cracks I’ve tried to fill
Are unearthed again.
I move towards you and away
From you
All the time.
Nano millimeter here
And our breath is one,
Nano millimeter there,
And a borderline breaks us apart.
Mommy
Like Dali’s elephant
My legs are long and skinny,
My burden is
Heavy
They know me,
call me “Mommy”,
and are sure I’ll respond,
Only I
don’t recognize this woman.
Crossing a road, my hand in a child’s hand
It seems: A mother and son
But
Two children.
Moria Daum Kaplan is an Israeli poet and a bibliotherapist.
GITIT MILO
Attentive
Be attentive
To my beating fears,
Beyond the silence vail.
Hear my fluttering soul appears,
Where all my longings fail.
Close your eyes and see
The drifted seashells of all my love
And broken walls inside the sea
Are mirroring through waves above.
Be attentive to stillness.
See hidden thing and know - it’s there!
Feel the cry beneath your skin,
And return inside yourself to bear.
Like the birds at sunset, withdraw to nest,
Like the beggar wipes his sweaty face,
Gathering the wonder of his lame possession,
And puts his pleading eyes to rest.
Gitit Milo is a clinical psychologist. Lives with her husband and four children in a kibbutz at the north shore of Israel. A children’s book about identical twins is forth coming, based on personal experience with her own twin boys.
YORAI SELA
Resurrection
He who says “We shall not forget”
And “We shall not forgive”
In the first person, plural
Who the F does he think he is
Royalty?
The holy trinity incarnate?
I
Shall forget and forgive
Forgive and
Forget
In the singular first
Until no remains remain
Of “thou shalt not forget to blot out remembrance”,
Until Amalek, till maidens
Give birth to
Children
Who
Give birth to
Children
Till
So very many to re
Member
So there would be
No chance to re
Fuse
I will
Re
Mind
Until the
Bones dry
Till
The curves of the dead
Sea road de
Cease
And un
Till Lot’s wife
In the motels and the mangers and the houses
Will multiply and produce
Messiahs.
Unsalted. Fresh.
Till love
Shall suffuse me
I shall forge-eve and
Forge-it.
Till He,
God
Willing,
Permit.
Relish
Relishing
in the clear soup
the waitress’s eyes.
Yorai Sella Ph.D. is a clinical psychologist, a psychoanalytic and humanistic-integrative psychotherapist. He has published fiction and poetry as well as professional publications. His latest book, “From Dualism to Oneness in psychoanalysis: a Zen Perspective on the Mind-Body Question” published by Routledge Books in 2018.
DAVID GREEN
Fragments of a Breathless Season
1. Hot Wind
Wires cut a yellow sky
Tinged with evening blue
Branches wave in protest
As hot winds blow on through
And the birds screech and call
Sensing that their voices
Will go silent soon
Like the fried bat on the wire
Hanging near a tossed-up shoe.
2. Relief
Wake in fright as I did last night
As the devil - roasted town
Sweating on the edge of dreams
That fled the fan trying to cool
Us down…
And then to dive
And breach the rearing swell
And come alive amid the tide
As mermaids surely do.
3. Tired
Above the eye line
There is the tired line.
Coffee lifts it an inch or two
Wine absorbs it for an hour or so
But it sits there
Just a above the eyes
Like a tide line of washed up kelp
And other fragments of the deep.
The glitter of shells in moonlight
Fails to compensate for insufficient sleep.
4. Pub
The pub before noon
Is the place to write
New verses for your tune.
You can watch the passing show
And scribble lines as the urgent people flow
On by the open window
Where you sit in a slow schoonered moment
and who gives a shit
About the small illuminations
Of our times or the TVs on the wall.
5. Not Needed
A day at home alone
Hiding from an oven wind,
In a darkened room
You realise you are not needed
And the play will go on.
I could die here reading Montaigne
A replacement will be found,
Another spark plug for the engine,
A new bulb fitted and flicked on.
And yet
This can be liberating:
Like wine,
like the sea
Like spring
And tears will dry
Like water on the sand.
6. Sleep
Another glass of dreamless sleep
And the light comes slowly
Like a whispered premonition
From the far side of the earth
And we unfurl like flowers
And set fresh kindling on the hearth.
Night falls with an embered hush
And we sleep the sleep of tired children
Before the days of care
Born away by wine and spring flowered air
Leaving conversations in the grate.
7. Monotony
The monotony of days
Is somehow reassuring.
The lights flick on
Hot water flows
The days are warm and blue.
Down the road the corner store
Has much of what we need.
Lulled and reassured we can forget
That it was not always so.
8. Rain
Rain, after a long dry
And the new hush it brings,
The way a grey day wraps around
The world in which we live.
Inside, a crack in the wall
Not noticed until now,
An orchid newly opened
And on the shelves come
Thoughts of books as yet unread.
9. Dust
I hear the currawongs warbling
In the hard-blue air
Above still fields where silent sheep
Mow yellow grass to dirt,
Where broken willows straddle muddy ponds
In streams weeping through rainless months
Beneath hills of powdered dust.
10 News
Turn it off,
The TV, the news,
The hyped up urgent sound,
The radio shouting
Half cooked views
Or syllogisms from Twitter,
Where false evidence abounds,
And watch the leaves wave
Like seaweed in the breeze
As the light fades and the bats
Hush in as they have always done;
While Trump trashes trade deals
The cicadas have begun
And crickets sing from underground.
David Green is a part-time educator, poet and freelance writer with a keen interest in Lawrence Durrell’s Mediterranean world. In 2012 he made a radio documentary on Durrell and Henry Miller inspired by their wartime correspondence. David lives in Sydney, Australia with his wife, Denise and two sons.